Europe was engulfed in a sense of unease during the interwar period, sandwiched between two devastating World Wars. The rise of militant ultranationalism and jingoistic populism created a breeding ground for authoritarian leaders and fascist factions, garnering increasing support from a populace seeking certainty. This tumultuous period gave rise to some of the most profound artistic expressions of totalitarianism in the 20th century, spanning across paintings, literature, and cinema. It was amidst this backdrop that the first deeply philosophical animated film, known as The Idea, was born.
The Idea originally emerged as a wordless novel in 1920, illustrated by the renowned artist Frans Masereel. Depicting the relentless clash between a new idea and a conservative political order, Masereel’s stark black-and-white story emphasized the unstoppable force of ideas, even when faced with suppression.
In 1930, Czech filmmaker Berthold Bartosch embarked on animating The Idea over a two-year period. Retaining Masereel’s sharp visual style, Bartosch’s adaptation took on a darker, more cautionary tone, reflecting the looming shadow of Nazi ascendency in Europe. His cinematic rendition, accompanied by a haunting score composed by Arthur Honegger, delves deep into themes of art, struggle, and purity of thought against a backdrop of populist savagery.
Experience what film historian William Moritz hailed as “the first animated film created as an artwork with serious, even tragic, social and philosophical themes” in the 25-minute animation of The Idea above. A powerful exploration of ideological clashes and societal turmoil, this animated masterpiece continues to resonate with audiences after eight decades.
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Note: This post was originally penned by Ilia Blinderman and first appeared on our site in November 2013. Follow him on Twitter at @iliablinderman.
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